Atelier Galerie Plast, rue Philippe de Girard 88-92, 75018 Paris
Exhibition: 25/1-2/2/2025
Curated by: Bonaria Monni, Gabrielle Beeckmans de W-M., Meng Zhang
Artists:
Pauline Bracq / drawing
Arthur Desmoulin / sculpture
Elizabeth Gallón Droste & Daniela Medina Poch / video installation
Charles Lemaire / photography installation
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Much like water, our bodies are in constant motion. Composed largely of water, they connect us to a vast "Hypersea" of natural and technological systems, underscoring our shared existence within a planetary web of interdependence. Drawing on Astrida Neimanis’s hydrofeminism, the female body mirrors water’s ceaseless transformations, flowing through life’s phases with strength and adaptability.
Today, we invite you to explore the fluidity of the female body—a journey where transformation and embodiment intertwine, and physicality becomes a narrative of change. Through scars, stretch marks, wrinkles, and modifications, this exhibition presents the female form not as a fixed ideal but as a testament to resilience and evolution. Marks on the skin tell stories of growth, trauma, and renewal, challenging the Western tradition of idealized, static representations of the female form. Like water carving its path through landscapes, the female body continuously reshapes itself, resisting containment and reclaiming its power as an ever-changing, vital force.
Installation:
Pauline Bracq / drawing
Arthur Desmoulin / sculpture
Elizabeth Gallón Droste & Daniela Medina Poch / video installation
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